12/14/2023 0 Comments Intaglio etchingSpecial acids then are used to “bite” the plate wherever lines are drawn, creating depressed lines controlled by how long a plate is left in the acid bath.Įngraving: An artist physically cuts lines into a plate using a chisel-pointed “burin” hand tool.ĭrypoint: An artist scratches lines into a plate with a sharp needle these lines often print slightly “fuzzy.” This process often shows a plate mark embossed into the paper around the edges of the plate.Įtching: An artist uses a varnish “ground” as an acid resist layer over a plate, then draws through the ground with a needle to expose the metal. With a piece of soft felt over the paper, the high pressure of the press forces the paper down into the inscribed lines, thus printing the image. The plate is then printed onto dampened paper with an etching press. The ink is then wiped away carefully so that only the ink down in the inscribed areas remains on the plate. Once complete, the plate is covered in ink, filling the image areas and lines on the plate. This technique utilizes a thin metal plate into which an image is inscribed by various means. Intaglio Prints (often simply called ETCHINGS): most of my larger pieces including monotype prints and paintings deal with the beauty of light and atmosphere, sometimes juxtaposed with angular and somewhat cubist architecture. I also have a fascination with clouds and storms. Many of my works are commentaries on such relationships. Though I have explored many subjects, I feel that mankind’s awe of, and interaction with nature has inspired a good deal of my images. I like art that draws a viewer in close, and then rewards them with an enlightening, humorous, or surreal experience. I have always been fascinated by miniatures, and most of my work is small, intimate, and detailed. I have a small etching press, and work primarily out of my home. My favorite, and most prolific medium, is intaglio printmaking, namely etching, engraving and mezzotint on copper plates. Product Dimensions: 8.3 x 0.6 x 11.I enjoy pursuing many mediums including painting, colored pencil, 3D assemblages, pen and ink, and even digital arts. Publisher: Dover Publications (October 1, 1984) Enhanced with over 220 illustrations, including works by Rembrandt, Callot, Dürer, Goya, and Brueghel, and a wealth of illustrative figures and photographs, this precise and detailed manual belongs at the side of any serious printmaker, novice, or ink-stained veteran.ĭover (1984) unabridged republication of Intaglio Printmaking Techniques, originally published by Watson-Guptill Publications, New York, 1976. Leaf details other mediums and methods: drypoint, notable for its characteristic velvety dark lines engraving, one of the earliest forms of expression known to man, dating back to prehistoric times collagraphs, plates made in the same way as collages and then printed and the Blake Transfer Method, adapted from a technique developed by the English artist and poet William Blake (1757–1827).Ī final Appendix treats such ancillary topics as framing and matting prints, storage, agents, and where to sell and show your work. An especially helpful "what went wrong" section at the end of each chapter diagnoses problems and offers solutions. For each procedure, clear, step-by-step directions cover the process itself, materials and equipment required, and cleanup. Once familiar with basic etching techniques, the student is then given precise illustrated instructions in printing techniques, including basic printing, double intaglio printing (the author's own method) color printing and embossing, the viscosity method, and viscosity and aquatint. In Part Two, the author proceeds to a detailed discussion of etching techniques, including formulas for grounds and inks, aquatint, white ground, hard ground, soft ground, sugar lift, and acids. The first part of the book is devoted to a thorough introduction to materials and tools, printing equipment, papers, presses-even how to set up your workshop for maximum safety and efficiency. In this thorough handbook, a noted printmaker and teacher offers complete up-to-date coverage of etching, engraving, drypoint, and other well-known intaglio techniques, as well as such less-familiar methods as tuilegraphs, collagraphs, and transfers. Intaglio printmaking involves engraving or incising a figure in stone or other hard material to obtain an impression from the subsurface design.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |